A. Fain Books
Custom Handmade Books

Bookbinder on Local TV

A couple of weeks ago I was approached by Ursula Gullow, producer of our local Art Seen Asheville cable tv slot, to participate in an upcoming episode. Her projects typically feature artists, musician, writers and performers of Asheville. Her theme for this project was needles and her chosen artists were a tattoo artist, a DJ and a bookbinder. Can you guess which one was me?

As you might expect I felt a little shy about diving into my first tv experience, but it was actually lots of fun (luckily my performer within kicked in and left my shy self in the dust). Ursula is herself a painter and very involved in the rich artist community here in Asheville. Her goal is to create a show that is sensitive to artists and produced in a down-to-earth style that’s meant to be engaging and informative. The result was just that.

To checkout the 8 minute “bookbinder” portion of the show:

http://www.youtube.com/watch?v=MVUjRp61kWM

*For the complete version, tattoos and all, go to:
http://video.google.com/videoplay?docid=-316171183701447997

*To find out more about Art Seen Asheville visit www.myspace.com/artseenasheville or write to artseenasheville.

*If you are curious about Ursula and her fabulous paintings check out www.ursulagullow.com.

Sing Behind the Plow

Me, as a mini-garland dancer, heading a wedding processionalAs you will see from my bio I was lucky enough to grow up a few miles from the John C. Campbell Folkschool, a non-competitive learning community located in scenic Brasstown, North Carolina (the picture to the right hangs in the history center, I am the very determined little dancer at the front of the procession). The school offers year-round weeklong and weekend classes for adults in craft, art, music, dance, cooking, gardening, nature studies, photography and writing. Though you would expect that I am considerably biased, it is a woooonderful and welcoming creative place that everyone should have the chance to experience.

I began teaching at the school last year; book arts and beginning clawhammer banjo. Part of an instructor’s payThe John C. Campbell Folkschool sign on Brasstown Road for teaching at the school is a free class. I was missing home and decided to cash in my free class and while I was at it, surprise my mother who was teaching a Sheep to Shawl class the same session. There began my week of silk paper making with Kathy Hays.

The exciting thing about silk paper making, besides the bright colors and sculptural potential of the medium is that the actual process of making the “paper” is rather simple both in terms of tools and materials. All you need is: silk roving (white or dyed), two pieces of tulle, a piece of fiberglass screen (what you would use to repair a screen door), soapy water and watered down Liquitex Acrylic Gloss medium.

First, sections of the silk are drawn out in small feathery sections that overlap each other on top of a piece of screen and tulle. Overall design and color combinations are determined at this point. Next, it is important that the silk fibers are completely wet through and through with soapy water so that they will accept the adhesive. The wet sandwich of screen, then tulle, fiber and tulle are then blotted dry and adhesive is confidently applied to the front and back with a brush, ensuring that each fiber is coated so that it will stick to its neighbor. It is then hung to dry and later the layers of tulle are pulled away to reaveal a completely flat, not fuzzy, colorful, almost interfacing-like in texture “paper.” The last step is to iron it between sheets of parchment paper which returns the silk’s natural gorgeous sheen.

Jean applying adhesive to her wetted silk sheet Sheet Hanging to Dry Between Layers of Screen and Tulle

Kaye peeling the layers of tulle away from her finished piece Kaye\'s finished piece

Once we had the basic paper making down Kathy encouraged us to add other elements to the silk sheet while it was still wet, such as feathers and pressed flowers and also to add embellishment once the sheet was dry, stitching, beads etc. I am, and probably always will be addicted to hand stitching and also really love transparent layers, bits of fabric, dusty colors and such. The following images are examples of my experiments.

Checkerboard Patterned Piece made with Pre-Dyed Color Scheme Bits of Fabric Sandwiched between 2 White Silk Hankies Then Stitched Detail of Patchwork Piece Detail of Stitching Rows of Pressed Leaves and Flowers Adhered and Stitched to a Piece of Natural White Silk Paper Criss Crossed Peach Silk Fibers Maroon Sewing Thread and Thick Silk Yarn Between 2 Silk Hankies Detail

Thanks to Kathy for her organized instruction and color. Thanks to the Folkschool for supporting people of all ages in living creative lives and upholding their inspiring yet humble motto, “Sing Behind the Plow.”

Book Sewing Circles

Discussing Art and Works in Progress Over Tea and CookiesWorking on Longstitch JournalsMuch Measuring and Cutting

Our monthly Sewing Circles are a relatively new addition to our home studio gatherings and workshops. Though we are sewing books the idea is similar in sentiment to a bunch of ladies gathering around to hand-stitch a quilt (of course men are invited too). We typically meet in my home studio the first Monday evening of each month from 5:30 to whenever. The intention of these book socials are:

#1. to provide special time set aside to complete unfinished and/or anxiety ridden projects in good company

#2. for former students to continue their development in bookarts without having to pay for yet another class

#3 to have show-and-tell; share your current work and be inspired by the work of your peers

#4. a chance for problem solving and sewing assistance from Annie Fain or anyone present

#5. to stockup on materials (waxed linen, text paper, bookbinders glue)

#6. in a nut shell, to provide a gathering space for budding and advanced book artists alike and to continue to strengthen our arts community simply by getting together on a regular basis

Best of all, we always have tea and treats! Feel free to come by if you are a book artist who has happened upon this website and/or visiting Asheville from somewhere else.

Email me with any questions: anniefain

Art Makers Have Eco-Footprints Too

When looking at my “numbers” for 2007 I realized that I was spending a large portion of my funds on gorgeous, Italian Velata text paper and that I needed to stop up that drain in my budget and shop around for better options, of course without giving up quality only for the sake of a cheap price. A friend told me about an industrial printing supplier outside of town and recommended a particular representative so that I could at least walk into their very corporate office with a contact name under my belt. I dressed a more professional version of myself and stepped through the door with intentions of letting them know I was a real buyer, (as opposed to a young, artsy, pretend buyer of course). The rep was friendly, though I quickly realized he expected me to want only a few sheets of this and that. When I set him straight his eyebrows lifted in surprise and he handed me a big pile of sample booklets. I asked alot of questions, looked at many paper samples, talked money talk and went on my way.

I took into consideration what any paper consumer might when choosing what would become their new standard text paper; weight, color, dimension, texture and how ink/paint acted on the paper. I did the math to determine the number of sheets I went through in 2007, how much I expected to use in 2008 and I was shocked to realize how much paper I had actually used; 1,000, 28×40 inch sheets or more per year. I was making and selling hundreds of custom designed and retail books and based on the current trend I would be making and selling more all the time. Good news.

Gooood Books

Like many people in the last couple of years thanks to films like The Inconvenient Truth and books such as The Ominvore’s Delimma by Michael Pollan, Animal, Vegetable, Miracle by Barbara Kingsolver or The Art of the Commonplace: The Agrarian Essays of Wendell Berry, I have been hit over the head again and again with what I already knew; our natural environment is in grave danger and every decision we make, down to the food we eat, has monumental repercussions. It is so important to consider our own ecological footprint on the world. It has become very clear that recycling our newspapers and cans and carpooling to work sometimes is not enough. Even though I am a small producer and a very small business I realize that my choice in paper, over the years, would add up. So much chlorine is used in paper production and whitening and most of it goes right back outside into our water sources. Artists and designers who are producing on a larger scale should also be considering the environmental impact of their work; their art making eco footprint, shall we say.

Selvage Magazine, Issue 20

More and more well respected, even conventional, publications and media venues are willing to confront this world community conversation. Even the very corporate based Martha Stewart Living magazine does not want to miss out on possible marketing opportunities intertwined with this general shift in American thought and awareness. In some cases it has become chic or high-end to celebrate families who choose green-built homes, eco-friendly home decor, non-toxic cleaning supplies and local, organic vegees. However, these are still the ways of a minority. A recent article, “Sitting in Judgement: Why Discerning Consumers Should Pay More for Less” in Issue 20 of Selvedge magazine comments that, “Greed has replaced need; consumption of goods bears no resemblance to the quantity we actually use. One sweater will make you much happier if you’re cold, three jumper (even in different colors) will not make you three times happier.” They point out that “consumers have 10 times as many conversations at farmers’ markets as they do at supermarkets.” They state bluntly that if you want to be happier buy locally, from small porducers or the larger companies that support them, plain and simple. Selvege encourages you to “rediscover the art of saving up. Buying beautiful things can and should go hand in had with helping the environment and individuals. Pay what something is worth because we’re all worth it.”

Face to face consumer/seller contact is not your only option. Etsy is a perfect example of an online community that allows tiny makers to sell goods to an appreciative market while retaining a personal feel. The “shop local” button on their homepage gives you the option to sort Etsy sellers by whether they live in your town, many of the crafters use recycled materials and last holiday season they encouraged customers to “Pledge to Buy Handmade.”

Ream of 100% Recycled Text Paper

The end of my paper buying adventure landed me with an entire ream of natural colored, Classic Laid, 100% post consumer recycled, chlorine free processed text paper. Though I feel it is a huge improvement in terms of how the paper itself was treated, I don’t know how far the paper had to be shipped or of any other hidden evils. In the end we must forgo enormous amounts of stress and guilt to simply do the best we can do at that point in time, but we can always do better. We have to do better.

Interested in learning more about your eco-footprint?

Check out American Public Media’s interactive game, Consumer Consequences where they will ask you a series of questions about your lifestyle, and as you play, it will show you how many “Earths” of natural resources it would take to sustain all 6.6 billion humans… if everyone lived like you.


Bookbinding Frenzy

Mischevious Book Peepers

Congratulations to my Monday night class for completing your very first ever Coptic bound journals!

We are having a grand time in our Book Arts Sampler: Primer workshop at Asheville Bookworks. We have the luxury of meeting for six weeks starting from the very begining, making a book by cutting and folding a single decorated page, moving on to the classic, non-adhesive pamphlet and accordion fold structures, to multi-needle Coptic binding and finally, softcover Long-stitch journals. This is a playful and attentive group. Even though most are just entering the world of books we are already discussing good options for buying decent papercutters, where to get affordable supplies, and lots of care for detail and craftsmanship. Good job ladies! May there be happy and bountiful bookmaking in your near futures.

A Quick Introduction

Detail of Moth Cigar Tin BookOdds and EndsMulti-Needle Coptic Binding Close-up

Welcome to A. Fain Books and my very first blog entry ever. This will be the place to find out about upcoming workshops, stories and images of good times had in past workshops, art and book related events, to answer bookmaking questions, as well as to reflect on the overall ups and downs of my works in progress and running a small home-made business. My intention for this blog is to be informative and supportive of you as a customer or interested bookmaker, not as an outlet for personal journaling. Check back regulalry to see what’s up and feel free to get in touch anytime.

©2008 A. Fain Books
59 Pearson Dr., Asheville NC 28801 | 828-337-3271 |